Tag Archives: ponyboy sigh

Happy New Year! + etc.

Welcome to 2012! Birds of Lace has some exciting things planned, beginning with the release of Jason Helm’s Fetish at the end of this month- pre-orders will be up soon!

A few copies of the limited-edition (of 30) catalog BoL did for Matt Momchilov’s show They Really Want You are now available for purchase here. The catalog features full color photos of all the work in the show, plus writing inspired by that work by Leon Baham, Ben Fama, Kate Durbin, Tim Jones-Yelvington, Rohin Guha, Mike Kitchell, and Niina Pollari. Each catalog also comes with a one-of-a-kind polaroid of a sculpture from the show and a mix cd of music relating to the show. Read more about the show here and view more of Matt Momchilov’s work here.

Leon Baham’s Ponyboy, Sigh was named a best read of 2011 by both Johannes Goransson and Mike Kitchell.

Carrie Murphy has a poem up over at JMWW.

Rohin Guha has posted the title story from Relief Work just for you over here.

Finally, will you be AWP Chicago this year? Birds of Lace will be part of an event co-hosted by Action Books and Kate Durbin- stay tuned for more…

xox

An interview with Leon Baham on ‘Ponyboy, Sigh: A Word Problem’ and an Accompanying Mix

Leon Baham’s Ponyboy, Sigh: A Word Problem is officially released today! Ponyboy, Sigh: A Word Problem is a hybrid story-essay by Leon Baham wherein Ponyboy, of “Outsiders” fame, is submerged in a queer (un)conciousness that swins through the murky waters of desire, fear, love, brotherhood, race, violence, mothers, tenderness and memory. A complication of faggotry with an inquisitive chorus and echo like a bloody cave. You can purchase the chapbook and read an excerpt here.

In honor of the release, here is an interview with Leon Baham conducted last week via email:

What was your relationship to The Outsiders prior to writing Ponyboy, Sigh and how did writing Ponyboy, Sigh shift or disrupt that relationship?

I read it in the seventh grade. I don’t think I thought much about it for a long time. I started having the name ponyboy repeated in my head like a spell or something so I started writing. I thought it was kind of gay back then and now I still think it’s kind of gay.

What are your latest and greatest obsessions, in writing/reading and otherwise?

The Vicious Red Relic, Love by Anna Joy Springer is probably my favorite book to come out this year. I’m also really into work by Tisa Bryant, CA C­­­onrad, Christine V. Nguyen, and I’m totally looking forward to reading Kevin Killian’s new book Spreadeagle. I’m reading Virgina Woolf for the first time and I’m pretty into it. I’m also learning about hip hop right now. I’m listening to a lot of Mos Def.

What are your expectations of queer literature, as both a writer & reader?

I like queer literature that is open. The work that does not shield itself from the outside world. Instead it engages and makes brave choices. It may sometimes be wrong or not have the desired affect but it tries and is honest in this way. I’m really influenced by Jean Genet and he said something to the effect of wanting his work to be read by more people than just ­­­­­writers and artists. I like this idea. I think queer literature should not separate itself from the rest of culture. We’re as real as any other motherfuckers and so we should not be afraid to be read by those who may not understand just yet. I expect queer writing to be less afraid.

If you could time travel to any decade in history, which would it be & why?

I would travel back to the sixties and try and be one of the original Temptations.

Tell us about your current writing projects and writing process- do you work on one project at a time or several?

I have two large projects that I am working on as well as a side small project where I am trying to recreate my mother’s dream journal. The first large project is under the name The Book of Imaginary Boys in which Ponyboy, Sigh will be a chapter. The second project is a memoir piece called Supercool where I am writing about my grandfather murdering my step grandmother. The memoir piece will be mixed in between damaged writing and movie stills of a more complete history of black science fiction that I’ve created. The idea is kind of playing with the dead sea scrolls and lost sacred text.

What role do you see feminism playing on your own work?

It’s at the core of my work but I think it is shifting. I want my feminism to be hard to place in different situations. I was really close to my mom as a kid. She made me read and taught me science but also danced on tables and took off her top. I have a lot of dreams where I move from room to room and the rules change but are not explicit. I think feminism in my work moves like this.

Name five songs that you feel could serve as a soundtrack to Ponyboy, Sigh

1. He Needs Me- Shelley Duval
2. Four Women- Nina Simone
3. Music from ice cream trucks
4. Kill the Wabbit- Looney Tunes
5. Fastcar- Tracy Chapman

(Ed. note: I’ve made a mix of these songs for your listening pleasure! Read along to these sounds and weep. Download here.)

If Ponyboy, Sigh were being made into a film, who would you pick to play Ponyboy and Johnny?

I’d want Ponyboy to be played by a life size puppet or doll made by Kara Walker and I’d want Johnny to be played by a young Rock Hudson

Is there anything else you’d like to tell readers about Ponyboy, Sigh?

My grandmother ordered a copy.

Pre-order Leon Baham’s ‘Ponyboy, Sigh: A Word Problem’

You can now pre-order Leon Baham’s brilliant hybrid-essay chapbook Ponyboy, Sigh: A Word Problem over at the Birds of Lace etsy store. Your pre-order will also get you a limited edition (of 25) linocut poster with red-threaded scars, as shown above.

Ponyboy, Sigh: A Word Problem is a hybrid story-essay by Leon Baham wherein Ponyboy, of The Outsiders fame, is submerged in a queer (un)conciousness that swins through the murky waters of desire, fear, love, brotherhood, race, violence, mothers, tenderness and memory. A complication of faggotry with an inquisitive chorus and echo like a bloody cave.

Leon Baham is from the Inland Empire. He now lives in Seattle. He is currently working on his first long book titled The Book of Imaginary Boys.

Ponyboy, Sigh: A Word Problem will ship 6/16. Go here to order.

Excerpt:
Anything happened when they met. They could have said not a word and pushed their lips together immediately, neither of them knowing really how to kiss another man. They could have seen each other around for three months glancing out of the corners of their eyes. Johnny could have seen Ponyboy in the shower and fled quickly with his half erection. Ponyboy could have followed him. Ponyboy could be Johnny’s father. Johnny could be any age younger than Ponyboy. Ponyboy is 17. Ponyboy could be a space invader and Johnny could be an earthling. Anything was how they met the point is that they were looking from eye to eye on the others face. Ponyboy with a shit eating grin. Johnny looking like a saint as he will be throughout the rest of this story. A plain bored face of ecstasy. Johnny was close to God and Ponyboy was faithless.

Tidbits

Finery (#5) contributor Brooklyn Copeland wrote a lovely review of Adam Strauss’ Perhaps a Girl Elsewhere over at her blog. Thanks Brooklyn! You can purchase Perhaps a Girl Elsewhere here.

Soon I will be posting a call for submissions for Finery #8- finally!

You only have a week left to order Anna Joy Springer’s The Birdwisher at 30% off. Visit our etsy page to order & use the code “vicious” at checkout.

Next month will see the release of Kristina Marie Darling’s Footnotes to a History of the Victorian Novel, a limited-edition chapbook/broadside that makes use not only of elegant wordplay but also vintage wallpaper, tiny ornaments, an IBM Selctric II typewriter, soft pink paper and brightly colored thread. Shortly thereafter we will have two other brilliant releases to kick off summer, with Leon Baham’s spooky poetic essay based on The Outsiders, Ponyboy, Sigh and Carrie Murphy’s ode to ’60s girl groups, Meet the Lavenders, which will feature a cover and illustrations by Rhani Lee Remedes.